“There are moments in cinematic art when the narrative of the film is subjectively implied and subsequently written by the viewer. while this is common to most structural and lyrical films in the experimental genre, none hits louder than T,O,U,C,H,I,N,G,. an angry and demonic piece that simultaneously lulls you into awareness and hypnotizes you into an emotive overload.”
The brothers Aleinikov worked in the “Parallel Cinema” of filmmakers in Soviet Russia to produce subversive independent films like this one outside of the canon of the institutional studio system.
This unusual band started in late 90s as an idea of return to the spirit of 80s music.
Few persons connected with the alternative music scene of Warsaw had a thought that life in their neighbourhood becomes more and more boring and plastic, people drawn in alienation, don’t talk to each other on the partys, and the brainwashed techno dictatorship is ruling everywhere… bla bla bla Kostek (before playing in punk band The Leszczers, postpunk Ameba and industrial Najakotiva), the singer Eva and the disco dancer Maciek wanted to start“brutal romantic” 80s style music&dance&alcohol band. The same people in 1998 played as “2000 Dirty DJs” vinyl records of old polish 80s hits in the squat in old fortress in Warsaw. Now they wanted to hear this stuff alive, so they began to play.
First concert appeared in the winter of 1999.
The songs based on the inspiration of horror-sweet-synth pop of the nuclear age (especially from the Eastern Europe) with the unhappy love lirycs. The sound went from the Casio synthesizer for kids and the drum machine, mixed with romantic rock guitar solos and early pre punk/glam spirit.
Important part of the show was two shakin disco dancers in glam jackets, the rest of the band had vampire make ups and new romantic style wear.
A brand new, recently-recorded track by A Murder Of Angels has been edited and set to video by Bryin Dall. “Oozing Into Obsidian” takes the worlds within lava lamps as inspiration for its slow-moving, deep and watery soundscape.
Los animales y el medio ambiente simplemente necesitan una revolución continua para liberarlos; consistente, reiterada e implacablemente de la opresión humana. Necesitan una revolución contra la sociedad humana porque es intrínsecamente opresora. Mientras existan personas, los animales necesitarán esta revolución.
Músicas electrónicas, contra-culturas y políticas de resistencia. Sud-américa y el mundo. Bogotá-Colombia. Las posibilidades culturales y sociales de la apropiación popular y artística de los nuevos medios, la cultura del picó o sistemas sonoros y las redes creativas, sociales y económicas que suponen, requieren nuevas propuestas que tengan en cuenta las realidades y contradicciones que nos habitan. Nuestro proposito es contribuir a la ampliación de propuestas culturales y contra-culturales. La promoción de eventos independientes, la apropiación de los medios disponibles y la discusión en torno a los fines y propositos de la corriente electrónica.